Latest News: music

Digital Sheet Music for "Concerning Hobbits" from The Lord of the Rings

By Jessica Apperson


Vitamin String Quartet has brought a sophisticated twist to your favorite pop and rock tunes for more than a decade. Now these exclusive VSQ string arrangements are available for purchase. Each edition includes a score and four individual parts for Violin I, Violin II, Viola and Cello.

Digital Delivery Edition – Download and print your favorite VSQ arrangement immediately with VSQ’s Digital Delivery Edition. All Digital Delivery Editions can also be viewed on up to six devices, including desktop computers, laptops and mobile devices. Click here for more information.

PLEASE NOTE: There may be differences between this sheet music arrangement and that of any corresponding Vitamin String Quartet recordings, including any studio version embedded below.Save

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Five Fridays: VSQ Performs Blue Öyster Cult's "(Don't Fear) The Reaper"

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Print 5 Fridays is an ongoing series that features the release of a brand new single every Friday during months that happen to have, well, five Fridays. Each monthly series is based around a unique theme and every single released reflects that theme. For our October 2015 series, we will be celebrating our favorite holiday with some of the best scary music pop culture has to offer. For the first week of the series, we are paying tribute to the spooky sounds of legendary hard rockers Blue Öyster Cult's biggest hit “(Don’t Fear) The Reaper”. Sorry, there is no cowbell to be found here…

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One-Man Bands

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I recently read a quote (from the early 1900s) in which the speaker theorized that the rapid growth of technology would lead to a world in which people would only have to work two or three hours a day.  While it is safe to say that prediction should be filed away in the “wishful thinking” folder (alongside teleportation, flying cars and hoverboards), it did get me thinking about the positive ways technology has impacted our lives.  For a music fan, such as myself, the innovations in music technology over the last twenty years have been nothing short of amazing.  Not only is music more readily available, the ability to create and record music is only one cheap laptop away.  As a result, there has been an explosion of “bedroom” artists (musicians that write, record and produce music in their own bedrooms) that have taken the music scene by storm.  Many of these “one-man bands” are responsible for some from the best albums of the last few years.  Below are a few of my favorite “one-man bands” and what you can expect if you decide to check them out.
  1. Bon Iver – Justin Vernon, the man behind the name Bon Iver, is probably the most well-known and critically praised one-man band. While Vernon's most recent release (the Grammy nominated, self titled album Bon Iver) is a more fleshed out, full band affair, Vernon first came to national attention with the release of his debut album For Emma, Forever Ago.  Recorded alone in a cabin in Wisconsin, Vernon crafted a modern indie folk masterpiece of lost love and regret that is not to be missed.
  2. M83 – While most “one-man bands” tend to be more laid back affairs, French producer/songwriter Anthony Gonzalez proves that arena-filling, fist pumping anthems aren’t solely the purview of super bands like U2 and Coldplay.  Gonzalez' songs pulse and pound with an unbridled energy that leaps through the speakers.  His most recent release, Hurry Up, We’re Dreaming, is a double album masterpiece that will likely end up on a number of year end lists.
  3. Washed Out – On the other end of the spectrum from M83, Ernest Greene (aka Washed Out) is known as one of the originators of the chillwave genre.  Greene’s music is an echoing, reverb-filled nostalgia trip.  Full of a wistful sense of longing, Greene’s music is propelled by electronic beats and loops that pair perfectly with the beautiful, wispy melodies that have become his hallmark.  Washed Out’s debut album Within and Without is the perfect album for a rainy, Sunday morning.
  4. Neon Indian – Another artist who is associated with the creation of the chillwave genre, Alan Palomo (aka Neon Indian) takes the same tools used by Washed Out, electronic loops paired with lo-fi vocals, to create a slightly brighter, more up-beat sound.  Palomo’s most recent release, Era Extrana, showcases an artist at his creative peak as he weaves a variety of electronic glitches and bleeping synths in and out of melodies so catchy they will be stuck in your head for days.
  5. Youth Lagoon – A newcomer to the scene, 22-year-old Trevor Powers (aka Youth Lagoon) takes the same tropes that tend to define indie bedroom artists (distant vocals, percussive loops, reverb) and uses them to create intimate songs that slowly swell into space-filling, sing-a-longs.  Powers shows a real knack for arranging songs in such a way that even the most jaded of listeners will find themselves getting caught up in the emotional crescendos.  Youth Lagoon’s recently released album, The Year of Hibernation, is an amazingly strong debut that should not be missed by fans of any of the other artists listed above.

Be sure to check out: Vitamin String Quartet Performs Bon Iver Available at iTunes

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Trent Reznor Releases Free Social Networking Songs

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Nine Inch Nails mastermind Trent Reznor and his frequent collaborator Atticus Ross, were recently tapped for some soundtrack work for the upcoming Facebook bio The Social Network. The album, which is set to be released on Sony Records on September 28th, can be preordered, but users can also get a free 5-song sampler of the album right now. All users have to do is visit that site and enter their email address for a link to the download.

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Sasquatch 2010 Recap: Day 3

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Day 2 really tired me out, after three nights in a cold tent, I decided the schedule wasn’t essential enough until around 3pm, so I stayed back at the campsite and tried to recharge my strength for the evening. Being a mostly indie rock day with the bands scheduled, I really just tried to make who I knew or had heard of. The majority of the bands before 3pm were not of these two goals, though because of the line I did miss Drive By Truckers… Meh.

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Sasquatch 2010 Recap: Day 2

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Day 2 of Sasquatch, the most dance-oriented lineup of the weekend, was an early start for me because for some reason the organizers put Caribou’s set at 12:05. I had missed them when they played the day before I left in Portland, so I needed to see their show from what my Brooklyn friends claimed. So I pulled myself out of the tent, made an amazing breakfast of egg and cheese sandwiches, packed a lunch and headed off. I slipped right in though security with little trouble and headed straight over to the main stage to literally catch them as they went on stage. The band severely impressed the crowd, which was quite large for such an early set. Their dual drumming attack and overall talent of the band blew the crowd away.

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Sasquatch 2010 Recap: Day 1

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The Pacific Northwest’s great annual music festival kicked off again this past Memorial Day weekend at the Gorge, three hours East of Seattle, WA. While there was a wide range of musical acts included this year as always, 2010’s lineup was significantly angled more towards the indie crowd, a far cry from the nostalgia acts that dominated last year’s festival, like Jane’s Addiction and Nine Inch Nails. However, this year’s lineup did include a reunion from Pavement as well as sets from older bands like Ween and Nada Surf. Also kind of a big deal was that the festival was 125% carbon neutral. How you ask? Well, a bunch of windmills were installed around the hills of the Gorge to capture a good amount of power to not only offset the power used at the festival, but also to offset all the attendees’ trips back and forth, as well as the bands’. Quite a forward-thinking festival, especially since they generated 25% more power than was even needed. I was hoping to live blog from the festival, but AT&T proved to be too weak to cover all 60,000 iPhones that were in the area. I was only able to Tweet from a lone laptop that I convinced a Verizon employee to let me use at their booth occasionally. But luckily, I kept a lot of notes, and saw a lot of bands, so here’s my recap of the weekend that was. I can only talk about whom I saw of course, and I’ve even got some video from certain sets, so read on: Day 1 was a mixed bag of a day overall, with lots of big indie acts headlining and many buzz bands filling in the rest of the day. Having arrived the night before to set up camp, I got an early start in hopes to catch Laura Marling’s 12:50 set at the Bigfoot (2nd biggest stage, which was also Solar-powered) stage. Unfortunately, the line to get in was way too unorganized with searching bags, so I missed her by minutes. If you haven’t heard her new album I Speak Because I Can then go get it now. She’s only 20 and already a huge star in the U.K. I caught the tail end of Brother Ali’s set over at the main stage, only to see his DJ beat box the theme from Iron Man, even doing an underwater version. The white rapper then got the entire crowd to sway their arms as he sang a song about loving who you are, a topic close to his heart as he grew up being picked on for being an albino apparently. He gave a solid performance to a fairly full audience.

Next I saw Mumford & Sons jam out on the Bigfoot stage, bringing their newly found buzz to the festival. They had a pretty decent-sized crowd for their folk-laden tunes that really got a lot of people dancing. The band definitely has come a long way since supporting Laura Marling on tour. Their hit “Little Lion Man” has been all over alternative radio as of late and they proved why live with a solid performance. Minus the Bear is another band that’s made a lot of progress over the years, jumping genres and styles but always sticking close to their pop sensibilities. This year they hit the main stage and brought a lot of fans out to get their hand waves on when they played their hit “My Time.” This Seattle band has garnered quite a following and the fans came out to show it indeed. Recent Portland residents Portugal. The Man played next on the Bigfoot stage, and their psychedelic brand of guitar pop was a great addition to the afternoon. They played mostly songs from their latest record, the American Ghetto, though mixed it up quite a bit as well. Recently signed to Atlantic Records, this group continues to put out catchy tunes each year. Edward Sharpe and the Magnetic Zeroes took the Bigfoot stage next and a huge crowd seemed to appear from nowhere. The band had turned some heads at Coachella last month and they were at Sasquatch to show why. Their infectious tunes double as kid songs and folk-infused sing-alongs. The band had everyone singing along and throughout the set the crowd grew and grew until the pinnacle when they sang their hit “Home.” It was a pure festival experience, and this band was made for such events. Twirling girls and lots of bare feet were about as this band wound down their set. Broken Social Scene took the main stage 42 hours after a long trip back to the US from Barcelona. The band didn’t miss a beat though, blazing through a long set with plenty of guitar action. The entire touring band was present, including Kevin Drew, Brendan Canning, Justin Peroff, Andrew Whiteman, Charles Spearin, David French, Sam Goldberg, and Lisa Lobsinger. Playing mostly new tunes, as well as old favorites like “Cause=Time” and "7/4 (Shoreline)", the band definitely put on the most impressive show of the day to this point, and the huge crowd loved it. Out of all the times I’ve seen them, I felt this was their tightest and most comfortable set. Buzz band Miike Snow played the Bigfoot stage shortly after, but I could hear them well across from the field where the main stage lay. The three-piece drew a big audience with their recent blog buzz, and many in the audience were eager to see them in person. While they are admittedly not my favorite, I was impressed by their live show and am interested enough to give their tunes another listen. The National were their usual broody selves on the main stage, I know people love them, but I just can’t get into it. These guys are not a festival band, for one thing, their music is just too personal to get across to a big audience in the middle of the day, but people seemed to enjoy it either way. I will say I like the music at times, but singer Matt Berninger’s timbre just turns me off. To each their own right? Vampire Weekend took the main stage shortly after, and the crowd seemed ready to dance to their infectious, sun-soaked tunes. The lawn was the fullest it had been all day and there were plenty of girls screaming when the Colombia graduates hit the stage. The band has certainly sharpened their live performance skills since I’d seen them a year ago, really proving why they had been slated right before the day’s headliner. Playing a good amount of songs from both their albums, the band didn’t stop the dancing until the sun had already dipped below the horizon. At 10 pm My Morning Jacket shuffled onto the stage for the start of their epic two-hour set. The crowd had definitely thinned out a bit after Vampire Weekend, one would assume those under 21 had departed, but that left plenty of room for the rest of us to get closer to the stage. While I was a bit let down that they didn’t play any of the new tunes that had been tested out variously on their recent jaunt, I still loved every minute of their set, which featured mostly hits from Z and Evil Urges. Singer Jim James thanked the crowd for sticking around for the late set, which ended after midnight, and repeatedly commented on how amazing the Gorge is. Even noting that they had played on the Yeti stage (the 3rd, smallest stage) in 2003, and it was an honor to play the main stage seven years later. I tried to picture this band, that seems so huge that they must have always been this big, playing on the tiny Yeti stage where I’d see several great up and coming acts this weekend, but we all have to start somewhere, right? Afterwards I trudged the long mile or so back to my campsite for a good meal and several libations. Overall a great first day of music and fun, and I looked towards Day 2 with a lot of expectations. Videos (nevermind the quality, we did what we could):

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