Be sure to check out VSQ's string renditions of some of last night's biggest winners:
We're only five days into the month of March and VSQ has already caught a powerful case of Spring fever! With just three more weeks before Spring officially makes its way out of hibernation, we've mustered together a few of our favorite Vitamin String Quartet "Springtime" covers to keep this fever burning until it's official arrival. 1. Dog Days Are Over - Vitamin String Quartet Performs Florence and the Machine 2. Nine in the Afternoon - Vitamin String Quartet Performs Panic! At The Disco 3. Boston - Vitamin String Quartet Performs Augustana 4. Ocean Avenue - Vitamin String Quartet Performs Yellowcard 5. Today - Vitamin String Quartet Performs Smashing Pumpkins 6. Speeding Cars - Vitamin String Quartet Performs Imogen Heap 7. The Cave - Vitamin String Quartet Performs Mumford & Sons 8. Beautiful Day - Vitamin String Quartet Performs U2 9. Chocolate - Vitamin String Quartet Performs Snow Patrol 10. Do You Realize?? - Vitamin String Quartet Performs The Flaming Lips 11. Pumped Up Kicks - Vitamin String Quartet Performs Foster the People 12. Dare You To Move - Vitamin String Quartet Performs Switchfoot 13. Maggie May - Vitamin String Quartet Performs Rod Stewart 14. Look After You - Vitamin String Quartet Performs The Fray 15. In Bloom - Vitamin String Quartet Performs Nirvana 16. Clocks - Vitamin String Quartet Performs Coldplay
What are some of your favorite tracks that put you into "full spring?" Share below!
It wasn't too long ago that the nominees for the 54th Grammys were announced, and it looks like a crowded field out there. In the interest of blogging, here's a look at the four big categories, the nominees, and a measured estimate of who's taking home the gold. Song Of The Year Nominees: Adele – Rolling in the Deep, Kanye West – All Of The Lights, Bruno Mars – Grenade, Bon Iver – Holocene, Mumford & Sons – The Cave. If we're talking about impact and having an amazing year, it's hard to imagine any other song getting this honor besides Adele's “Rolling in the Deep.” It's been everywhere with good reason. I can see Kanye's hook-laden “All Of The Lights” getting a win, and Bon Iver is the unpredictable indie longshot, but Adele seems like the safest bet. Bruno Mars and Mumford & Sons have relatively young careers that probably haven't begotten their biggest work. Record of the Year Nominees: Adele – Rolling in the Deep, Bon Iver – Holocene, Bruno Mars – Grenade, Mumford & Sons – The Cave, Katy Perry – Firework. The key difference between this category and the previous one is that this is dedicated to the overall recording process of a single track, so the award goes not just to the songwriter, but the performer, producer, engineer and mixer. With that said, I'm most impressed by Bon Iver's “Holocene.” It's an elegant, moving production that invokes gravity better than “The Cave.” So that's my pick. But, as anyone who has ever liked music knows, the Grammys can be a little weird in their actual awarding. If the Academy is being the Academy, I can imagine Bruno Mars and all the shiny frills of “Grenade” getting the nod. Best New Artist Nominees: The Band Perry, Bon Iver, J. Cole, Nicki Minaj, Skrillex What a diverse category. Last year, when Arcade Fire won Album of the Year, there was a portion of the listening populace that thought their win was more of a recognition of their classic album “Funeral” than a statement on the quality of “The Suburbs.” If Bon Iver wins this category, I think the same idea applies, as his real breakout was 2008's “For Emma, Forever Ago.” The Band Perry just seems to be the dark horse candidate that can very possibly take it home. The “wouldn't it be crazy if?” option is Skrillex and his brand of dubstep dissonance. Album of the Year Nominees: Adele – 21, Foo Fighters – Wasting Light, Bruno Mars – Doo Wops and Hooligans, Lady Gaga – Born This Way, Rihanna – Loud. The Foo Fighters might come away with the delayed recognition for their body of work, the way Scorcese never got his Oscar until 2006, but in my gut it feels like a toss-up between Adele and Lady Gaga. Both performers have won the year in terms of pop culture pervasiveness, but as you know, the Grammys can be weird. None of the nominees are set to frustrate young people (see 2008's Herbie Hancock win) so whoever ends up with the big one is going to have a ton of supporters.
Be sure to check out:
VSQ Performs Modern Rock Hits 2011 Vol. 1 highlights some of the year’s biggest rock tunes so far with propelling string arrangements that burst with energy. Hear the raw rock foundation of Foo Fighters’ “Rope,” the pop melodies of Death Cab for Cutie’s “You Are A Tourist,” the riveting innovation of The Strokes “Under Cover of Darkness” and more as violin, viola and cello rock out with sophistication. Tracklist:
- You Are a Tourist - originally by Death Cab for Cutie
- The Cave - originally by Mumford and Sons
- Under Cover of Darkness - originally by The Strokes
- Helplessness Blues - originally by Fleet Foxes
- Just Stay Here Tonight - originally by Augustana
- Rope - originally by Foo Fighters
Available next week, VSQ Performs Modern Rock Hits 2011 Vol. 1 highlights this years biggest anthems so far including tracks from Augustana, Death Cab for Cutie and Foo Fighters. If you're reeling for some smooth, soothing tunes to fill your summer nights, you'll hit the mark with this album!
Check out a clip of VSQ performing The Cave:The Cave from VSQ Performs Modern Rock Hits 2011 Vol. 1 1.You Are a Tourist - Originally by Death Cab for Cutie 2.The Cave - Originally by Mumford & Sons 3.Under Cover of Darkness - Originally by The Strokes 4.Helplessness Blues - Originally by Fleet Foxes 5.Just Stay Here Tonight - Originally by Augustana 6.Rope - Originally by Foo Fighters Be sure to check out: The String Quartet Tribute to Death Cab for Cutie Available now at iTunes and Amazon The String Quartet Tribute to Foo Fighters, The Shape and Colour of my Heart Available now at iTunes and Amazon Vitamin String Quartet Performs The Strokes Available now at iTunes and Amazon
Under Cover of Darkness: This lead single from The Strokes’ fourth LP Angles is the band’s first single release in five years. That’s how long it’s been since the New York City band released an album. Call it a return to form, but Julian Casablanca’s note-bending caterwaul sounds just like it did on “Last Night.” It makes sense then when he sings, “I've been all around this town/Everybody's been singing the same song for 10 years.”
Rope: The first single from the Foo Fighters’ Wasting Light was written two years ago after sessions for the band’s last album Echoes, Silence, Patience and Grace. Although the Foos typically release a more radio friendly song as their first single, frontman Dave Grohl insisted the band use this Butch Vig produced track as the lead off from Wasting Light, because he thought it best captured the mood of the album’s recording sessions. It must have been pretty loud in there.
You Are a Tourist: “When there’s a doubt in your mind/’Cos you think it all the time/Framin’ rights into wrongs/Move along,” is what Ben Gibbard croons on the uplifting single from Death Cab for Cutie’s forthcoming Codes and Keys. Whether or not Gibbard’s outlook on life has been a bit brighter since landing Zooey Deschanel as his wife, he did tell the audience during a VH1 “Storytellers” taping that the lyrics in the song were "a series of affirmations in an otherwise dark and cruel world."
The Cave: The London folk quartet, Mumford and Sons, stole the show at this year’s Grammy awards with a rousing rendition of “The Cave,” which they performed before jamming on “Maggie’s Farm” with none other than Bob Dylan. “I got out of bed and ran outside and jumped around like a madman,” says singer Marcus Mumford, upon hearing the news that the group would be playing with the rock legend. “You can imagine the reaction of someone who probably wouldn't be playing music at all if it wasn't for Dylan.”
Helplessness Blues: The lead single from Fleet Foxes’ sophomore LP focuses more on singer Robin Pecknold’s quavering falsetto than any tracks on the band’s mega-hit debut ever did. However, the rest of the band joins in on this track’s second half to contribute to the intricate harmonies that have become the Foxes oh-so-pretty trademark.